Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Monday, October 18, 2010

Jeanne Martin: The Fabric Chef

Breakfast and Pastry Platters - Jeanne Martin


Jeanne Martin creates soft sculptures of food (from flannel, fleece, linen, broadcloth and other fabrics) so realistic that it takes usually takes a while for viewers to realize they have been created from fabric.


Fried Chicken, Texas Style - Jeanne Martin (a tribute to Bobby Flay)


Magic in the Fabric - 3:20 minue YouTube Video
http://www.youtube.com/watch?v=p4fyk0_K8PA&feature=player_embedded

Sculptures that Look Good Enough to Eat - Interview by The Denver Post [NOTE: You'll need to scroll 1/3 way down a seemingly mostly blank page]
http://www.denverpost.com/search/ci_16005749

The Fabric Chef - Jeanne Martin's website - shows many detail views of her work
http://www.thefabric-chef.com/

Monday, October 4, 2010

The Coiled Art of Carol Eckert

"Kingdom of the Birds" by Carol Eckert

Carol Eckert has taken the medium of basketry to a new level by using a signature "stitch" and universal symbols to illustrate legends, parables and creation stories by using the technique of coiling. Although she describes this technique as "simple" and only requiring the use of a threaded needle (to wrap copper wire with DMC cotton embroidery floss) her work is very sophisticated and complex. Through it she tells stories using a variety of forms such as staffs, shrines, wall art and books (as well as the occasional "basket" as she defines it).


DETAIL - "The Raven Addresses the Animals" by Carol Eckert

Smithsonian Archives of American Art Interview - An 2007 interview of Carol by Jo Laurie for the Smithsonian's Craft and Decorative Arts in America documentation project can be read online:
http://www.aaa.si.edu/collections/oralhistories/transcripts/eckert07.htm

To view more of Carol's art:
Carol's Website:
http://www.caroleckert.com/Carol_Eckert/Welcome.html

Jane Sauer Gallery
http://www.jsauergallery.com/sagemoon/artistPages/CEckert.html

Wednesday, March 24, 2010

Quilts: 1700-2010

The Victoria and Albert Museum in London has just opened its first exhibition of British quilts to rave reviews. The 65 pieces on view span 300 years and include new works specifically commissioned for the exhibit by contemporary artists.

Although most of us won't be able to travel to Great Britain to view it in person, there are still resources available to us online:
  • Quilts: 1700-2010 About the Exhibition - "The exhibition [is] presented chronologically and thematically...[with] contemporary works...woven throughout following the themes: 'The Domestic Landscape', 'Private Thoughts, Public Debates', 'British Eccentricity', ' Making a Living' and 'Memory and Memorial'. Together the quilts document love, marriage, births, deaths, periods of intense patriotic fervour, regional and national identity and developments in taste and fashion."
    http://www.vam.ac.uk/collections/textiles/quilts-1700-2010/exhibition/index.html
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  • Quilts: 1700-2010 Exhibition Curator's Blog - This is a fascinating journal that allows us to be a "fly on the wall". It "...chart[s] the progress of the exhibition, providing an unique 'behind the scenes' look at a process which is both complex and challenging." Whether you start from the beginning or work your way through it backwards, you'll enjoy reading it.
    http://www.vam.ac.uk/things-to-do/blogs/quilts-hidden-histories-untold-stories/home
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  • Quilts: 1700-2010 Videos - Along with the exhibition trailer, there are videos featuring the contemporary artists (Jo Budd, Caren Garfen, Diana Harrison and Susan Stockwell) discussing the pieces they created for the exhibition.
    http://www.vam.ac.uk/collections/textiles/quilts-1700-2010/videos/index.html
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  • Quilt of Quilts: Share your quilt's story with the world - This is an online exhibit of quilt pictures that anyone around the world can contribute to by uploading a picture of their quilt. It includes the ability for you to "Share your quilt's story and tell the world what it means to you. Your quilt can be commented on and rated by other site visitors."

    NOTE: In light of the copyright issues we have been considering recently, you may want to consider this carefully before doing it.

  • Quilts and Quilting - The Strand, the BBC's  daily show on arts, culture and entertainment aired a 13-minute segment about how "...this artfrom has often taken it's inspiration from hardships and injustice." It includes interviews with the exhibit curator and with Gwendolyn Magee (me).
    http://www.bbc.co.uk/worldservice/arts/2010/03/100317_strand_quilts.shtml
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  • Bloggers - A number of British bloggers were invited to a press preview. Sandra Wyman was one and has written a great report on her blog (with many pictures). Over the next week she intends to post at least two other segments to her blog.
    .
    Sandra Wyman, The Dyers Hand Blog
    http://thedyershand.blogspot.com/2010/03/quilts-1700-2010-at-v-part-one.html

Friday, March 19, 2010

Textile Related Podcasts - Part 2

Textile Related Podcasts – Part 1


Jeanne Williamson - 29:34 minute interview - WICN Public Radio - In 1999 Jeanne decided to expand the limits of her understanding of her art, by making one small quilt a week for the entire year. This process encouraged her to think outside the box of how quilts can be made and what they can be made from and changed forever her concept of quilting. Materials like plastic fruit bags, dryer lint, coffee filters, coins and even stones all were incorporated into an amazing series of visually intriguing quilted works, many wonderful works of abstract art.
http://www.wicn.org/audio/inquiry-uncommon-quilting-jeanne-williamson

Sonya Clark - 10/12/2008 25 minute Interview - Museum of Contemporary Craft - Namita Gupta Wiggers, curator at Museum of Contemporary Craft, talks with Manuf®actured artist Sonya Clark about her recent series of work using combs, hairdressing as a primordial fiber art, and the social and historical significance of the black plastic fine toothed comb. Includes an informal Q & A with museum visitors.
http://www.museumofcontemporarycraft.org/programs_podcasts.php
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http://www.museumofcontemporarycraft.org/media/2008_10_12_Sonya_Clark.mp3

http://feedproxy.google.com/~r/MuseumOfContemporaryCraft/~5/4dH_Nfq2d3w/2008_10_12_Sonya_Clark.mp3

Glenn Adamsom - 2/21/09 - 1 1/2 hour lecture - Craft in the 21st Century: Directions and Displacements - Museum of Contemporary Craft - Adamson is one of the most dynamic theorists currently considering craft. A leading force in the development of an academic framework for craft, he is hailed by writer and historian Garth Clark as one of craft’s fresh, young, nontraditional voices. Adamson dispenses with clichéd approaches to craft theory, posing such questions as: Is craft truly a subcategory of art, or rather its antithesis, challenging art’s most fundamental values? Why is craft perceived as subservient to art? Could craft’s orphaned status actually be its great strength? Framing his discussion broadly throughout contemporary aesthetic culture, Adamson provides ripe context for a range of visual practitioners including fine artists, designers, architects, historians and indie crafters.
http://www.museumofcontemporarycraft.org/media/2009_02_21_GlennAdamson.mp3
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http://feedproxy.google.com/~r/MuseumOfContemporaryCraft/~5/a16Fj8n_ALw/2009_02_21_GlennAdamson.mp3

The Changing Dynamics of Craft and Design - 4/9/2009 - Panelists include Andrew Wagner, editor in chief of American Craft magazine; Namita Gupta Wiggers, Curator Museum of Contemporary Craft; JP Reuer, Chair of the MFA in Applied Craft and Design program, offered jointly by Oregon College of Art and Craft (OCAC) and Pacific Northwest College of Art (PNCA); and Karl Burkheimer, OCAC Wood Department Head. Moderated by Tim DuRoche, Community Program Manager at Portland Center Stage.
http://www.museumofcontemporarycraft.org/media/2009_04_09_Community_Conversations_2.mp3
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http://feedproxy.google.com/~r/MuseumOfContemporaryCraft/~5/2fu-O3WgRSk/2009_04_09_Community_Conversations_2.mp3

Garth Clark - How Envy Killed the Craft Movement: An Autopsy in Two Parts - 10/16/2008 - Garth Clark presents his first lecture on the craft field as a whole - and his first public lecture in years. Clark is a leading international writer on modern and contemporary ceramics today - a provocative, controversial but deeply informed voice. In this two-part program, Clark will analyze the current state of American Craft, then invite the audience to join him in an examination of how aesthetics, economics and art-envy have "killed" this 20th century movement.
Part I - http://www.museumofcontemporarycraft.org/media/2008_10_16_Garth_Clark_CraftPerspect1.mp3

Part II - http://www.museumofcontemporarycraft.org/media/2008_10_16_Garth_Clark_CraftPerspect2.mp3
Lynn Mclure – In this 21 minute podcast, Lynn is interviewed at Penland by Steve Miller about how she integrates her textile art with her book art.
http://www.bookarts.ua.edu/podcast/070306mclure.m4a



"Modern Materials: The Art of the Quilt" - 29 minute podcast Interview with Jill Rumoshosky Werner
http://www.publicbroadcasting.net/kwgs/news.newsmain/article/0/1/1608389/StudioTulsa/%E2%80%99Modern.Materials.The.Art.of.the.Quilt%E2%80%99.at.Living.Arts.of.Tulsa#

Maiwa Textile Symposiums:

     African Textiles: The Heart of the Yoruba
  • PART 1 - In this lecture master craftsman Gasali Adeyemo opens the evening with a description of his early life in Nigeria and tells how fibre art came into his life. As a participant of the Nike Centre for Arts and Culture, both as a student and later as a teacher, Gasali encountered a range of traditional crafts. He gives a description of the famous adire techniques and illustrates how they relate to Yoruba culture.
    http://www.maiwa.com/documentaries/pc_gasali.html
    .
  • PART 2 – In this lecture master craftsman Gasali Adeyemo fields questions from the audience about traditional techniques and about working in Africa and Santa Fe. Gasali concludes with a story about the role of clothing and cloth in life.
    http://www.maiwa.com/documentaries/pc_gasali2.html  
     The Cotton Road 
  • PART 1 - In part one Rosemary Crill describes the scope and range of India's trade, its historic beginnings and describes in detail the commerce with the countries in the east.
    http://www.maiwa.com/documentaries/pc_crill_1.html
    . 
  • PART 2 - In part two Rosemary Crill explores India's cotton trade with the west. Printed cotton known as "chintz" changed the very fabric of life itself - especially in the British Commonwealth.
    http://www.maiwa.com/documentaries/pc_crill_2.html
    .
  • PART 3 - In part three Rosemary Crill explores India's trade with the west as the focus shifted from printed cottons to muslins and Kashmir shawls. She concludes her lecture by answering some questions from the audience.
    http://www.maiwa.com/documentaries/pc_crill_3.html
     Masters of the Art: The Khatri Blockprinters of Dhamadka and Ajrakhpur

  • PART 1 - Ajrakh has become the signature cloth of the Khatris. It is a cotton textile traditionally dyed with indigo and madder, and printed on both sides with complex geometric and floral patterns using hand-carved wooden blocks. There are between 14 and 16 individual stages of preparation, printing, and dyeing. The process can take 15–21 days to complete.
    http://www.maiwa.com/documentaries/pc_masters.html
    .

  • PART 2 - After the formal presentation the evening was opened up for questions from the audience. The questions explored trade patterns, the technique and culture of blockcutting, how the excavated textiles from Fustat, Egypt have found their way back into contemporary Ajrakh designs, tradition and the future of the art.
    http://www.maiwa.com/documentaries/pc_masters2.html  
London’s Enterprise Centre for the Creative Arts – “Choosing to make your career as a fine artist is a notoriously difficult path to follow. Income can be unpredictable and sourcing funding can be a minefield. Knowing how much to charge and how to work with funders, curators and galleries are vital skills for survival. This podcast brings together an artist, a collector and a specialist artist's advisor to uncover practical advice on how to make money and working with others within the fine art world.”


The Arts Now Podcast #26 - 18 minute conversation with curators of the Big Fibre, Little Fibre exhibit about how the featured textile artists are bringing sexy back and proving that textile art is just as edgy and relevant as all contemporary art forms.
http://www.blogto.com/arts_now_podcast/2007/10/arts_now_podcast_26/

Bonnie McCaffery provides access to the amazing list of podcast & Vidcast interviews she has conducted with textile artists
http://www.bonniemccaffery.com/wordpress1/?page_id=13

Monday, April 27, 2009

Textile Sculpture - Part 4: Carolyn Crump; Susan Else; Yoshimi Kihara

This post highlights the work of Carolyn Crump, Susan Else, and Yoshimi Kihara - two quilters and a knitter - three more outstanding textile artists whose work is redefining what can be accomplished with their preferred mediums...

CAROLYN CRUMP:
Carolyn Crump works in a variety of media, but her recent focus on textiles and quilts is bringing a new dimension to sculptural textiles. It has been stated that her art "...defies illusionary boundaries to reflect a unique blend of wildness, freedom, and expression."
Interview of Carolyn Crump - The following is a January 27, 2009 interview of Carolyn by Karen Musgrave for the Alliance for American Quilts Save Our Stories project. Carolyn's interview is part of an interview series focused on artists creating quilts honoring the historic election of Barack Obama to the presidency of the United States of America
http://www.allianceforamericanquilts.org/qsos/interview.php?pbd=qsos-a0a9k7-a
Houstonian Captures Obama Moment in Quilt:
http://www.chron.com/disp/story.mpl/headline/features/6211537.html
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SUSAN ELSE:
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She States: “I treat cloth not as a flat surface but as a wild flexible skin for three-dimensional objects. The graphic surface almost, but not quite, edges out the volumetric forms. Making sculpture from fabric presents unique challenges and creative possibilities - and it makes me approach sculptural problems with an unusual slant.” Note: the home page of her website currently has wonderful images of recent work focused on skeletons
http://www.susanelse.com/
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Bingo!
http://www.saqa.com/galleries/MiniJan09/Else.aspx
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Blog posting about Susan by Leni Werner - includes images:
http://wernerstudio.typepad.com/modernmaterials/2008/12/susan-else.html
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YOSHIMI KIHARA:
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Yoshimi Kihara knits intricate sculptures using folded strips of newspapers.
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She states: “My work explores the theme of ‘information’ and our relationship to it...My pieces build over time and grow in sequence with the days. Newsprint carries on it’s inky surface the imprint of news and trivia that each day throws up. As the structures develop, the sheets of newspaper that I use loose their original function and the objects that emerge begin to transmit new messages of their own.” NOTE: When you click on the "Works" link, a slide show will automatically start after 5 seconds have elapsed
http://www.yoshimikihara.co.uk/index.htm
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"Untitled:
http://www.aqffin.com/cv_yoshimi_kihara.htm

Saturday, March 21, 2009

Textile Sculpture - Part 3: Nick Cave, Aminah Brenda Lynn Robinson, Lisa Lichtenfels

Our exploration of textile sculpture continues with the art of three more exceptional artists

Nick Cave Art in Motion – Nick Cave is chair of Fashion Design at the School of Art Institute in Chicago. His art has been described as an exploration of “…when textiles meet modern dance…” His creations are transformative in that any indication of the age, gender or ethnicity of the wearer is stripped away, thereby protecting the wearer from prejudice based on any of those characteristics.” Nick Cave’s Soundsuits are fabulous creations made of thrift store finds, twigs, plastic bags, discarded thcotchkes, and just about anything else that strikes his fancy…Often, Cave’s Soundsuits are assembled by a multigenerational, multicultural group of volunteers in his Chicago neighborhood.”
Xenobia Bailey has written an extensive article about Nick Cave and has many pictures of his work on her blog
http://xenba.blogspot.com/2009/02/masterful-fiber-artist-nick-caves.html

United States Artists (2006 Toby Devan Lewis Fellow)
http://www.unitedstatesartists.org/Public2/Stories/Fellows/NickCave/index.cfm

Interviews:
a) Nick Cave by Greg Cook
http://gregcookland.com/journal/2007/10/nick-cave-speaks-at-risd-wednesday.html
b) Nick Cave by Sasha Lee – Note: scroll down ¼ of page past a lot of blank space
http://www.beautifuldecay.com/anthology.php?anthologyId=111&title=interviewnickcaveg

YouTube Videos:
a) Nick Cave Sound Suits – 5 ½ minutes
http://www.youtube.com/watch?v=EdmMM6iAt8E
b) Nick Cave – Art in Motion – 1 minute 49 seconds http://www.youtube.com/watch?v=PwupTQt9zxY

Aminah Brenda Lynn Robinson – “Aminah's artistic vocabulary consists of a combination of the skills she learned in art school and those passed down to her by her family. Her father taught her to make hogmawg, her word for a sculptural material used in both two- and three-dimensional work.

The button and needle work she learned from her mother are evident in her rag paintings and RagGonNons, her word for complex works of art that can come in many forms but often include buttons, men's neckties, and other found objects.”
http://aminahsworld.org/
Xenobia Bailey has written an extensive article about Aminah Robinson and her
work on her blog. Many pictures are included:
http://xenba.blogspot.com/2008/11/visit-with-columbus-ohio-living.html

Lisa Lichtenfels – Figurative Sculpture-Realism in Fabric – Lisa “…creates startlingly realistic sculptures with a wide variety of subject matter, including fantasy, myth, humor, and portraiture. The individual figures range from less than 5 inches to life-sized figures of over 5 feet tall. She also does large environmental installations with many characters.”
http://lisalichtenfels.net/
The Art of Lisa Lichtenfels – many images including Lisa’s explanations of the
sculptures
http://puppenstube.us/lichtenfels_lisa_feature.htm

Wednesday, March 4, 2009

Textile Sculpture - Part 2: El Anatsui, Takashi Horisaki, Loren Schwerd

The work of El Anatsui, Takashi Horisaki and Loren Schwerd was recently exhited in New Orleans as part of Prospect 1, the largest international biennial of contemporary art ever organized in the USA - it was housed in over 2 dozen venues (including musuems, galleries, historic buildings and other sites)throughout the city.


EL ANATSUI– is a Ghanian artist who creates monumental and stunning sculptural works of “Women’s Cloth” by sewing thousands of aluminum bottle caps together with copper wire. The above photo was taken at the Prospect 1 installation by Dorothy Moye.

Of El Anatsui's work, Holland Cotter of the New York Times wrote (November 2005): “In Mr. Anatsui's hands, it is a shining, new kind of cloth, permeable but indestructible. It is a universal repository of names of infinite extension. Glinting and shimmering, it reflects an African essence of three interchangeable parts always in motion: memory, reality, determination.”

Interview with El Anatsui by Alisa LaGamma, Curator of the Metropolitan Museum of Art - you can listen to a podcast or read the transcript

October Gallery Photos - stunning
http://www.octobergallery.co.uk/microsites/anatsui/

El Anatsui: Gawu Photo Tour – Once you’ve clicked the PhotoTour link, make sure to maximize the page size for some stunning close-up views.
http://www.fowler.ucla.edu/incEngine/?theme=fowler_main&content=information_manager&information_manager_id=65

El Anatsui: Gawu Artworks – listen to podcasts of El Anatsui discussing three of the artworks in the exhibit
_________________________

TAKASHI HORISAKI – does “…sculptural exploration of surfaces and the histories contained within their layers…" He created "fabric" out of latex and paint and used it to recreate the semblance of a Katrina destroyed home. On his website are links to a lot of information about the installation including: his blog documentation of the creation process; images of the work in progress; the link to a Times-Picayune article about it; and links to images of other works and installations.

__________________________

LOREN SCHWERD – the artist states: “Mourning Portrait began as a series of memorials to the communities of New Orleans that were devastated by the flooding which followed Hurricane Katrina. These commemorative objects are made from human hair extensions of the type commonly used by African-American women that the artist found outside The St Claude Beauty Supply. The portraits draw on the eighteenth- and nineteenth-century tradition of hairwork, in which family members or artisans would fashion the hair of the deceased into intricate jewelry and other objects as symbols of death and rebirth. Working from her own photographs, Schwerd creates metal armatures that act as frameworks for weaving the hair into portraits of the vacant houses of the Ninth Ward neighborhood. By documenting private homes Schwerd venerates the city’s losses, both individual and collective. Hair acts as the central metaphor to evoke a sense of profound intimacy and absence, and speaks to the racial politics that have paralyzed the city’s recovery effort.”
http://www.lorenschwerd.com/
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Textile Sculpture - Part 1

Saturday, February 14, 2009

Textile Related Podcasts - Part 1

Today’s technology provides us with access to an astounding array of textile related podcasts on a broad range of topics that include in-depth interviews with artists

Maiwa Handprints, founded in Canada in 1986, supports the production of embroidered, blockprinted, handwoven and naturally dyed textiles throughout a number of countries. They have made available a series of outstanding in-depth audio and video podcasts recorded at the annual Maiwa Textile Symposiums that are accessible at: http://www.maiwa.com/documentaries/podcasts.html

The Maiwa podcasts include:
The Independent Artist: Working to Commission - Lucy Goffin - Working to commission involves forming a special relationship with a client. Large works for public spaces require the artist to deal with architects, planners, and engineers. It involves navigating through time frames, budgets, and fire regulations. The challenge is not to compromise the creative process due to the added constraints. In fact the reverse can often be true: exciting creative ideas come out of problem solving within a working brief.

Reel and Weave: The Silkspinner's Story – Parts 1, 2 & 3 - Part 1: Karen Selk describes her journeys to China and explains how silk is raised and harvested; Part 2 - Karen describes her experience in Laos and explains how weaving traditions are an essential part of Laotian culture; Part 3 - Karen explores India and visits both the giant tusser moth and the Salvi community, makers of a famous double silk ikat known as Patan Patola.

From the Heart: A Weaver’s Journey – Parts 1 & 2 –Bhakti Ziek is a weaver, teacher, writer, and lecturer and “…has the ability to talk to a group about her life as a weaver while making it seem as if she is sitting talking directly to each person about their own lives and intimate experiences. In this talk, she updates her journey, sharing how a tenuous, fine thread grew into her life line and the sometimes unpredictable path it has taken. Sharing both the triumphs and knots, periods of intense curiosity and spells of disillusionment, she will talk about ways of staying connected that she has found helpful in her struggle to remain involved, creative, and hopeful as an aging weaver, artist, and human being.”

Choreographed Cloth – This is a video podcast - Angelina DeAntonis is an artist driven to express her passion for color through the dye process. This is a presentation made to the 2007 Maiva Textile Symposium.

Kismet, Ajrakh, and the Fish of Knowledge: Collaborating with Craftspeople in India – Eiluned Edwards - “Edwards tells the story of the events leading up to her first trip to India, how it felt to arrive, and how her life was changed by a meeting with the blockprinters of Dhamadka. The trip was profound and its effects were long lasting, Edwards shifted her focus from textile design to cultural anthropology. She spent the next 16 years researching the textiles of the Kutch Desert, collaborating with artisans, aranging exhibitions and studying traditional Ajrakh blockprints.”

The Intimate Stitch: Blueleaf Shibori – This is a video podcast – Jane Callendar describes her development and artistic influences and reflects on her artistic journey.

The Working Traveller: Parts 1 to 4 – These are the reflections of workshop panelists – John Gillow, Noorjehan Bilgrami, Charllotte Kwon – each speaking about their personal experiences, how they got started, the reason for their journeys, and how interaction with other cultures has changed their lives. Another segment addresses specific questions from the audience.

The Mummies of Ürümchi: Textiles in Time – Elizabeth Barber – Dr. Barber is an expert on prehistoric textiles. Her talk is about the naturally mummified and spectacularly clothed bodies of Caucasians found in Chinese Turkestan that date back to the Bronze Age, 3,000 – 4,000 years ago.

Waiting for the Monsoon: Slow Clothes in India – Charlotte Kwon and Mahesh Dosaya – a reaction against fast food culture, “…slow clothes are made with an eye to the human impact on production rather than a need to race to meet a fashion trend.”

LadyBugLive - Dottie Moore posts podcast interviews of visual artists from around the world. The fiber/textile art segments include:

Mical Aloni – embroidery artist
http://ladybuglive.com/gallery4.html

Hollis Chatelain – textile artist
http://ladybuglive.com/gallery9.html

Gwendolyn Magee – textile artist
http://ladybuglive.com/gallery35.html

Susan McGehee – woven wire
http://ladybuglive.com/gallery30.html

Kisha Rawlinson – sweetgrass artist
http://ladybuglive.com/gallery21.html

Bernie Rowell – contemporary quilt artist
http://ladybuglive.com/gallery26.html

C. Elizabeth Smathers – fiber artist
http://ladybuglive.com/gallery20.html

Waltraud Reiner – millinery artist
http://ladybuglive.com/gallery10.html


Tradition/Innovation: American Masterpieces of Southern Craft & Traditional Art – interviews with Gustina Atlas & Geraldine Nash – quilters (12 minutes), Gwendolyn Magee - quilter (25 minutes), Carol Welch – (12 minutes) basket weaver. Click on the artists’ name:
http://www.traditioninnovation.org/interviews/audio/index.html

International Quilt Study Center & Museum – These are podcasts of online lectures, gallery talks, and discussion.
http://www.quiltstudy.org/connections/resources/podcasts_video.html

Among others, the podcasts include:
Quilts: Reflections of Trade, Technology & Tradition" by Patricia Cox Crew – 54 minutes – “…how quilts reflect American culture and the lives of quiltmakers of the past.”

"Nancy Crow: Contemporary Quiltmaking" by Nancy Crow - 59 minutes - Ms. Crow describes the evolution of her work, the many inspirations she finds, and the challenges she sees ahead.

"Modern, Yet Anti-Modern: Two Sides of the Late-Nineteenth and Early-Twentieth Century Quiltmaking" by Marin Hanson – 43 minutes - Her lecture explores contemporary and historical dichotomies in culture and how quilts fit into that discussion.

"The American Quilt and the Grammar of Two-Dimensional Design" presented by David Hornung – 42 minutes

"It's Fashionable to be Pennsylvania Dutch Today: Disseminating Traditional Design in a Modern World." by Janneken Smucker – 35 minutes - The lecture focuses on research Smucker conducted regarding the commercialization of Pennsylvania Dutch culture during the 1930s and 1940s.

"Recycling and Resourcefulness: Quilts of the 1930s" by Merikay Waldvogel – 65 minutes

"From Fibers to Fieldwork" – Nao Nomura – 51 minutes - describes the use of fiber analysis and fieldwork techniques to more closely determine quilt provenance.

"Patchwork and Quilting in the UK" by Dr. Sue Marks – 45 minutes - lectures regarding art and design history, particularly the divisions that occur within the arts and crafts, and feminist debate.

"Quilt Surface Design Symposium: Incubating the Innovative Quilt" by Michael James – 35 minutes

"The Underground Railroad Quilt Controversy: Looking for the 'Truth' by Laurel Horton- 44 minutes

WeaveCast: A Podcast for Handweavers – list of all episodes
http://www.weavecast.com/archives.html Transcripts of select episodes also are available:
http://www.weavecast.com/transcripts.html

Melanie Testa – Textile Artist & Fabric Designer – In this 70 minute podcast, Jennifer Ackerman-Haywood interviews Melanie as she talks in-depth about her life, how she got into the field of textile art, the decision points about her art, her techniques, her struggles along the way, and advice.
http://blip.tv/file/133959

Denyse Schmidt - Textile Artist – In this 60 minute podcast, Jennifer Ackerman-Haywood interviews Denyse about how she went from being an artist with a day job to working fulltime as an artist living her dream.
http://craftsanity.blip.tv/file/132167/

Jenny Hart – Embroidery Artist – In this 70 minute podcast, Jennifer Ackerman-Haywood interviews Jenny about bringing embroidery back as an artform.
http://craftsanity.blip.tv/file/868865/

Susie Hewer – Knitter – in this 30 minute podcast, Jennifer Ackerman-Haywood interviews Susie about her passion for combining her love of knitting with her love of running marathons. Susie is included in the Guiness Book of Records for knitting the longest scarf while running a marathon.
http://craftsanity.com/?p=505

Linda Gass – Quilter - 26 minutes – interviewed about how she “…uses multi-layered quilts to illuminate issues of water management in a state that descends into drought nearly six months out of every year. Linda Gass introduces three new pieces that illustrate the past, present, and - through restoration - the future of saltwater marshes in the San Francisco Bay. “
http://applausecastbusiness.podomatic.com/entry/2006-02-23T17_54_12-08_00

Justine Dennis – Fiber Sculpture Artist - This is a 17 1/2 minute podcast. “Living in a 200-year-old log cabin near New Haven, Kentucky, Justine tells us about how she creates her whimsical fiber sculptures. She also talks about how a single bag of cotton inspired her to take up sewing and how her creativity has shifted over the past couple of years.”
http://www.southerncreativity.com/moonshine/issues/article.php?id=205